![]() ![]() Later in the series, a flashback episode of a young Anna in 1960s San Fransisco reveals what she's been hiding all these years. Rather than let her secret be expose, Anna signs over the property to the mysterious blackmailer. This one contains a photo of her and a man in 1966, as well as property deed transfer paperwork for Barbary Lane. The attached note says, "I know you're a fraud." In the third episode, she receives another letter. In the first episode, she receives a letter with an old photo of her standing with several other trans women. Until midway through the season, we don't even know what Anna is being blackmailed for. It's not until the final episode that we finally learn the truth. But by the end of the first episode, we learn that she's also hiding a big secret, and the mystery of who's blackmailing Anna ends up having just as large a role in the story. ![]() And that's what much of the show is about: the bond of the found family she's brought together at 28 Barbary Lane. When we first meet Anna Madrigal in Netflix's Tales of the City, she just seems like a sweet motherly/grandmotherly figure to the queer people of San Fransisco. Spoilers ahead for Tales of the City Season 1. ![]()
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